Franz marc art style7/31/2023 ![]() The blue symbolized the male principle, severe and spiritual, and the yellow marked the female principle, gentle, cheerful, and sensual. ![]() Like in other artworks, Marc applied his theory of color symbolism to the painting. In essence, the bottom of the painting is a deeply saturated blue that gradually transitions to light yellow and orange tones in the rainbow on the top. This vertical motion is mainly established through color. The artist created a tight composition, in which all of the elements move upward. The artist sent this ink and gouache sketch on a postcard to the German Jewish poet Else Lasker-Schüler, who was one of the few women affiliated with the Expressionist movement. ![]() Marc’s preparatory work is visible in The Tower of Blue Horses (1912). The large canvas (200x130cm) is representative of the height of Marc’s artistic achievement. However, his legacy of expressionistic, vivid paint, deconstructed forms and symbolist colour paved the way for the Abstract Expressionism of artists including Willem de Kooning, Lee Krasner and Jackson Pollock, as well as the colour Field art of Anne Truitt, Kenneth Noland and Morris Louis.The Tower of Blue Horses is equally known for its aesthetic and artistic significance, and for its fascinating history. Tragically, Marc was killed in combat during the Battle of Verdun in 1916. ![]() In his paintings from 1913 onwards, Marc expressed a growing distaste for nature and animals, abandoning his earlier, harmonious depictions for a wilder and more apocalyptic language filled with angular, directional lines, clashing colors and shattered, broken forms.Īs the war loomed on the horizon, Marc began to controversially believe it had the potential to destroy the toxic effects of the old world, and make way for a new one to regenerate from its ashes, an ideology that clashed with many of his peers. Like many expressionist artists, Marc used painting as a means of expressing his turbulent, conflicting emotional response to the world. They named their group after a painting by Wassily Kandinsky featuring a man in a blue jacket riding into the wilderness, likening his journey to their creative explorations into an unknown world of creativity.įranz Marc Was a Pioneer of Expressionist Painting The Fate of the Animals, by Franz Marc, 1913Īs a leading member of Der Blaue Reiter, Franz Marc pushed his paintings into an increasingly tortured, expressionistic, and abstract language. Formed in 1911, the group believed color was a potent means of self-expression, and together they painted with an increasingly imaginative array of electric-bright hues. Marc believed understanding, and painting nature and animals in this way allowed him to experience the natural world as seen through an animal’s eyes.Ī Founding Member of Der Blaue Reiter (The Blue Rider) Der Blaue Reiter Almanac Cover by Wassily Kandinsky, Franz Marc, and Jean Arp, 1914, via Art Gallery of Ontario, TorontoĪlong with Wassily Kandinsky, Franz Marc was a founding member of Der Blaue Reiter (The Blue Rider), a group of likeminded artists in Munich who shared a desire for shaking painting free from the shackles of the representation world, and opening up new channels of creative expression. Marc developed these ideas into his own interpretation of pantheism, in which all living creatures should live in close harmony with one another, hence why his creatures seem to dissolve Cubist-style into their surroundings. His fervent landscapes featuring prowling tigers and serene horses are a meditation on the beauty and wonder of nature, painted in vivid, iridescent colors to lend them a dreamy, symbolist quality. He turned to nature, and particularly animals set in amongst their natural habitats as a potent antidote to what he saw as an increasingly alienating modern world. When society was shifting from rural life towards industrialization, Franz Marc was one of many artists who felt a growing sense of unease and foreboding about the future. Franz Marc Was a Painter of the Natural World Die großen blauen Pferde (The Large Blue Horses) by Franz Marc, 1911, via Walker Art Center, Minneapolis
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